Reviews On Bolshoi Confidential

Reviews on Lina and Serge: The love and wars of Lina Prokofiev

Reviews on The People's Artist: Prokofiev's Soviet Years

  • Bradley Bambarger in Listen [“Back in the USSR”], May/June 2009, 75
  • Diego Fischerman in El Pais [“El hombre que regresó al frío”], 10 July 2009 
  • Pauline Fairclough in Music & Letters 90:4 (November 2009): 719-22 
  • Sheila Fitzpatrick in London Review of Books [“Many Promises”], 14 May 2009 
  • David Gutman in Gramophone, February 2009, p. 103 
  • Michael Kimmelman in The New York Review of Books [“Bad Bargains for Russian Music”], 13 August 2009 
  • Arlo McKinnon in Opera News 76:6 (December 2011) 
  • Neil Minturn in Slavic Review 69:1 (Spring 2010): 239 
  • Stephen Press in Russian Review 71:1 (January 2012): 132-33 
  • R. J. Stove in National Observer, Autumn 2009 
  • Andrew Thomson in The Musical Times [“Mind over matter”], Summer 2009, pp. 110-14 
  • Elizabeth Wilson in bookforum [“A Composer’s Notes”], June/July/Aug 2009

Reviews on Russian Opera and the Symbolist Movement

  • Philip Borg-Wheeler in Classical Music, 24 May 2003, p. 25 
  • Philip Ross Bullock in Slavic Review 64:2 (Summer 2005): 476-77 
  • Ellon Carpenter in The Russian Review 62:3 (July 2003): 457-58 
  • Pauline Fairclough in Slavonica 9:2 (2003): 137-38 
  • Marina Frolova-Walker in Journal of the American Musicological Society 59:2 (Summer 2006): 507-13 
  • Helen Galbraith in The Modern Language Review 99:3 (July 2004): 849-51 
  • Anatole Leikin in Journal of Musicological Research 22:4 (November 2003): 409-13 
  • Gerard McBurney inTimes Literary Supplement [“At the sign of the Queen of Spades”], 27 June 2003, p. 24 
  • Anna Nisnevich in Cambridge Opera Journal [“Keys to the mysteries”] 15:2 (July 2003): 199-206 
  • Karin Pendle in Choice: 40:8 (April 2003) 
  • Elizabeth Yellen in Slavic and East European Journal 48:1 (Spring 2004): 142-43